


{"id":3078,"date":"2015-08-30T23:56:06","date_gmt":"2015-08-30T23:56:06","guid":{"rendered":"http:\/\/arisc.org\/?page_id=3078"},"modified":"2021-08-31T03:22:19","modified_gmt":"2021-08-31T03:22:19","slug":"curricular-materials-architecture","status":"publish","type":"page","link":"https:\/\/arisc.org\/?page_id=3078","title":{"rendered":"Architecture"},"content":{"rendered":"<p><b>[expand title=&#8221;Church Architecture: Mren, Zvart&#8217;nots and Pt\u0142ni&#8221;]<\/b><\/p>\n<p><b>Edited from:<\/b> \u201cArmenian Art of the Seventh Century and the Problem of Periphery&#8221;<br \/>\nby Christina Maranci, Tufts University<\/p>\n<p><b>Keywords:<\/b> architecture, churches, Armenia, Georgia, Turkey, domed basilica, cruciform, barrel vaults, rotunda, ambulatory, Holy Sepulchre, capitals, domes, Mren, Zvart&#8217;nots&#8217;, Pt\u0142ni<\/p>\n<p><a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxc1dHTTlGemhCdGM\">Text<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=1udIe1D_IGM_OnPj7WZwy0YY3EPTHCX2pbrqIxsPXtbo\">PowerPoint<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxalBSTzRqNTcwTTQ\">PowerPoint PDF<\/a> | <a href=\"https:\/\/iu.mediaspace.kaltura.com\/media\/arisc_Maranci\/1_qtv9ugb2\" target=\"_blank\" rel=\"noopener noreferrer\">Video<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxcmhqUUxScG56MWM\">References<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/1udIe1D_IGM_OnPj7WZwy0YY3EPTHCX2pbrqIxsPXtbo\/embed?start=false&amp;loop=true&amp;delayms=5000\" allowfullscreen=\"allowfullscreen\" width=\"480\" height=\"389\" frameborder=\"0\"><\/iframe>[\/expand]\n<p><b>[expand title=&#8221;The Golden Age of Architecture in a Shifting Socio-Political World&#8221;]<\/b><\/p>\n<p><b>Edited from:<\/b> \u201cArmenian Art of the Seventh Century and the Problem of Periphery&#8221;<br \/>\nby Christina Maranci, Tufts University<\/p>\n<p><b>Keywords:<\/b> Holy Land, Heraclius, tympanum, Byzantine, Persian, Mren, Pt\u0142ni, Zvart&#8217;nots&#8217;<\/p>\n<p><a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxdjJEVW1aZElPNUk\">Text<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=1inHxZqkvieVYqM9RCSPAzoN5CfiVOPRnif-yRbANkoE\">PowerPoint<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxTjFZZDQ2ZVR6cEE\">PowerPoint PDF<\/a> | <a href=\"https:\/\/iu.mediaspace.kaltura.com\/media\/arisc_Maranci\/1_qtv9ugb2\" target=\"_blank\" rel=\"noopener noreferrer\">Video<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxcmhqUUxScG56MWM\">References<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/1inHxZqkvieVYqM9RCSPAzoN5CfiVOPRnif-yRbANkoE\/embed?start=false&amp;loop=true&amp;delayms=5000\" allowfullscreen=\"allowfullscreen\" width=\"480\" height=\"389\" frameborder=\"0\"><\/iframe>[\/expand]\n<p><b>[expand title=&#8221;Relics and Monuments of the Holy Land: The Churches of Mren and Zvart&#8217;nots'&#8221;]<\/b><\/p>\n<p><b>Edited from:<\/b> \u201cArmenian Art of the Seventh Century and the Problem of Periphery&#8221;<br \/>\nby Christina Maranci, Tufts University<\/p>\n<p><b>Keywords:<\/b> Return of the Cross, relief sculpture, Heraclius, Armenia, Persian, Jerusalem, Byzantine, Kren, Zvart&#8217;nots&#8217;<\/p>\n<p><a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxY1hxbFQ1emMtZXM\">Text<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=1mDQhJ41IYE7owS18A_PMNbAOMQPcrd7hJllBQ5RCOs0\">PowerPoint<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxNXlKOVpHZS12c0k\">PowerPoint PDF<\/a> | <a href=\"https:\/\/iu.mediaspace.kaltura.com\/media\/arisc_Maranci\/1_qtv9ugb2\" target=\"_blank\" rel=\"noopener noreferrer\">Video<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxcmhqUUxScG56MWM\">References<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/1mDQhJ41IYE7owS18A_PMNbAOMQPcrd7hJllBQ5RCOs0\/embed?start=false&amp;loop=true&amp;delayms=5000\" allowfullscreen=\"allowfullscreen\" width=\"480\" height=\"389\" frameborder=\"0\"><\/iframe>[\/expand]\n<p><b>[expand title=&#8221;Local Visual and Ritual Practices in the Church of Pt\u0142ni&#8221;]<\/b><\/p>\n<p><b>Edited from:<\/b> \u201cArmenian Art of the Seventh Century and the Problem of Periphery&#8221;<br \/>\nby Christina Maranci, Tufts University<\/p>\n<p><b>Keyworks:<\/b> social history, Pt\u0142ni, Zvart&#8217;nots&#8217;, Mren, churches, Eucharist, medieval, noble life<\/p>\n<p><a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxU1BReHJEQklZWVU\">Text<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=1vYxngdRZNYxgJ-cr6d11GwmMaTAS_Z4WSno70XzCLLI\">PowerPoint<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxN3ZYMW9RVUdRcnM\">PowerPoint PDF<\/a> | <a href=\"https:\/\/iu.mediaspace.kaltura.com\/media\/arisc_Maranci\/1_qtv9ugb2\" target=\"_blank\" rel=\"noopener noreferrer\">Video<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxcmhqUUxScG56MWM\">References<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/1vYxngdRZNYxgJ-cr6d11GwmMaTAS_Z4WSno70XzCLLI\/embed?start=false&amp;loop=true&amp;delayms=5000\" allowfullscreen=\"allowfullscreen\" width=\"480\" height=\"389\" frameborder=\"0\"><\/iframe>[\/expand]\n<p><b>[expand title=&#8221;Importance of Church Preservation&#8221;]<\/b><\/p>\n<p><b>Edited from:<\/b> \u201cArmenian Art of the Seventh Century and the Problem of Periphery&#8221;<br \/>\nby Christina Maranci, Tufts University<\/p>\n<p><b>Keyworks:<\/b> preservation, Armenia, church, Mtsxeta, Mren, Zvart&#8217;nots&#8217;<\/p>\n<p><a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxWERnaVIzLU9MUnM\">Text<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=1d_eMelqiffL1Yr7xkYdVoomBJjHdn93He1rOKs64LHY\">PowerPoint<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxWmlpR3VuTDVGR28\">PowerPoint PDF<\/a> | <a href=\"https:\/\/iu.mediaspace.kaltura.com\/media\/arisc_Maranci\/1_qtv9ugb2\" target=\"_blank\" rel=\"noopener noreferrer\">Video<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxcmhqUUxScG56MWM\">References<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/1d_eMelqiffL1Yr7xkYdVoomBJjHdn93He1rOKs64LHY\/embed?start=false&amp;loop=true&amp;delayms=5000\" allowfullscreen=\"allowfullscreen\" width=\"480\" height=\"389\" frameborder=\"0\"><\/iframe>[\/expand]\n<p><b>[expand title=&#8221;Architecture and Visual Incongruity&#8221;]<\/b><\/p>\n<p><b>Edited from:<\/b> \u201cIncongruent Strategies: Engagements with Humor and Identity in Contemporary Azerbaijani Art\u201d<br \/>\nby Monica Steinberg, City University of New York<\/p>\n<p><b>Keywords:<\/b> architecture, art, Alakbarov, Rasulov, Baku, Azerbaijan, corruption, Soviet<\/p>\n<p><a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxMTVZQ2hXcXFZSms\">Text<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=1dFC4hHjzoxwbJUoEtJbUxXCAcfj1XMI0PuxbDJcgk-k\">PowerPoint<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxYlU5TWxSbXJ5NHM\">PowerPoint PDF<\/a> | <a href=\"https:\/\/iu.mediaspace.kaltura.com\/media\/arisc_Monica_Steinberg_2\/1_b1004b46\" target=\"_blank\" rel=\"noopener noreferrer\">Video<\/a> | <a href=\"https:\/\/drive.google.com\/open?id=0B-eSQ2mo0JRxNnVzb0FleWpDYU0\">References<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/1dFC4hHjzoxwbJUoEtJbUxXCAcfj1XMI0PuxbDJcgk-k\/embed?start=false&amp;loop=true&amp;delayms=5000\" allowfullscreen=\"allowfullscreen\" width=\"480\" height=\"389\" frameborder=\"0\"><\/iframe>[\/expand]\n<p><script>\/\/ <![CDATA[ (function() { var cx = 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However, those contents do not necessarily represent the policy of the U.S. Department of Education, and you should not assume endorsement by the Federal Government.<\/em><\/p>\n<p><em>Disclaimer: The American Research Institute of the South Caucasus (ARISC) does not&nbsp; endorse the views of the papers and is not responsible for any inaccuracies.&nbsp; These curricular materials were developed from papers presented at the \u201cCaucasus Connections\u201d Conference, and we have left the authors\u2019 views and the data intact.<\/em><\/p>\n<p>Please help us improve! 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