May 23-25, 2023<\/p>\n\n\n\n
Faculty of Languages, University of Gda\u0144sk<\/p>\n\n\n\n
The Border Studies Group (BSG) and the International Border Studies Center (IBSC) at the University of Gdansk welcome proposals for the Border Seminar 2023 on the theme of \u201cMigration Narratives\u201d, as well as the wider field of Border Studies, especially as it relates to accounts of migration experience and the emerging interdisciplinary field of border aesthetics.<\/p>\n\n\n\n
The Border Seminar is an interdisciplinary conference organized at the University of Gda\u0144sk by the BSG, an international team of literary\/cultural scholars, linguists, historians, sociologists, artists, and educators interested in research and pedagogy centered on the notion of the border.<\/p>\n\n\n\n
Johan Schimanski and Jopi Nyman (2021) argue that migration is the \u201cmaster narrative\u201d underlying the conceptual metaphors and concrete images of \u201cthe path, the bridge, the door (and implicitly the threshold) and the window,\u201d which Georg Simmel, in his pioneering work on \u201cborder aesthetics,\u201d proposed as \u201cthe central figurations of the divisions and joinings between different spaces\u201d. Schimanski and Nyman apply Simmel\u2019s concepts to explain that \u201cmigrants follow routes (paths), they pass through crossing points (bridges), they are excluded and have to wait outside selective barriers in order to enter (doors), and they can see a better life on the other side of the border (windows)\u201d (Schimanski and Nyman). In other words, border aesthetics can be thought of as imaginings of migration or movement articulated as border-crossings and bordering processes.<\/p>\n\n\n\n
At the same time, borders are now understood as \u201ccontingent social and cultural productions and as instruments of power, which determine and often substantiate our perception of the world\u201d (Fellner 8; our emphasis). As such, their function is cognitive and semiotic, their figurations (in narratives, stories, photographs, films, images, and sounds) are constitutive, sustaining, and generative of relations of privilege and exclusion. In fact, as David Newman says, \u201cit is on the level of the narrative, anecdote, and communication that borders come to life\u201d (in Fellner 11). Migration narratives of necessity engage and negotiate such borders\u2019 power in both content and form.<\/p>\n\n\n\n
If border aesthetics and poetics inquire how cultural representations deal with borders and related concepts investigations of borders in narratives and images of cultural crossings and migrations can reveal unique, dynamic study material. It is there that the narrative trope of the border in its, what Astrid Fellner calls, \u201cdefining narrative function\u201c akin to that of a \u201cliterary giant\u201d or to what Harold Bloom calls the \u201cprecursor\u201d or the \u201cstrong poem\u201d, comes into contact, negotiates, and grinds against other, larger and smaller narratives\/images articulated as border-crossings.<\/p>\n\n\n\n
Following these suggestions, we want to think of migration narratives as the ground upon which these negotiations occur, that is we propose to discuss imaginative representations of migration as borderscapes (Brambilla 2015) and bordertextures (Weier et<\/a>.<\/a>al<\/a>. 2019), where multiple border-crossings and bordering processes take place, interact. Concomitantly, we want to investigate the border-crossings\/migrations of narratives as we probe the scope of the border aesthetics.<\/p>\n\n\n\n We welcome contributions from the wider interdisciplinary fields of Border Studies and Migration Studies, especially as they relate to the narrative\/representational challenges of borders and migration, where themes such as the crisis of language and memory, the clash of time-frames and generations, haunting, notions of flows and porosity, transgressions of gender, class, race and genre, labor relations, questions of authenticity and decency, scholarly practice and intellectual theft, real and imaginary landscapes, and more may be present.<\/p>\n\n\n\n In connection with the above, the BSG and IBSC at the University of Gdansk look forward to receiving proposals that relate to but are not limited by the following categories:<\/p>\n\n\n\n \u2192 migration narratives in connection with education and alternative forms of education<\/p>\n\n\n\n \u2192 migration narratives as a guiding principle in performance<\/p>\n\n\n\n \u2192 the theorizing of practice in terms of migration narratives and border aesthetics<\/p>\n\n\n\n \u2192 language teaching theory and \/or practice underpinned by migration narratives<\/p>\n\n\n\n \u2192 borders and languages<\/p>\n\n\n\n \u2192 new digital technologies and narratives of migration<\/p>\n\n\n\n \u2192 migrations of objects, migrations of narratives<\/p>\n\n\n\n \u2192 migration as the master narrative in border aesthetics<\/p>\n\n\n\n \u2192 migration narratives in diasporic literatures and other media<\/p>\n\n\n\n \u2192 formal challenges to representing migration as bordering experiences and processes<\/p>\n\n\n\n \u2192 visibility\/invisibility and migration<\/p>\n\n\n\n \u2192 spectrality and the spectacular<\/p>\n\n\n\n \u2192 border imaginaries and ethnic loyalties<\/p>\n\n\n\n \u2192 coloniality, colonialism and routes of migrations <\/p>\n\n\n\n \u2192 decolonial migration imaginations<\/p>\n\n\n\n \u2192 migration narratives and the intermedial critique and practice<\/p>\n\n\n\n \u2192 migration narratives and hospitality studies<\/p>\n\n\n\n The Border Seminar 2023 will involve international special lectures, individual presenters, panel discussions, workshop sessions, performances, and screenings.<\/p>\n\n\n\n The Border Seminar 2023 will be held on site at the Faculty of Languages, University of Gdansk.<\/p>\n\n\n\n The conference will be HYBRID, with an option of in-person as well as online participation.<\/p>\n\n\n\n The conference fee is 200.00 PLN – a fee waiver is possible under special circumstances, please contact organizers. 50% fee reduction for online participants and graduate students.<\/p>\n\n\n\n Please submit:<\/p>\n\n\n\n \u2192 proposals for individual 20-minute papers (max. 250 words)<\/p>\n\n\n\n \u2192 proposals for thematic panel sessions (max. 750 words)<\/p>\n\n\n\n \u2192 short bios<\/p>\n\n\n\n \u2192 state your affiliation<\/p>\n\n\n\n \u2192 Deadline for submissions: March 1, 2023.<\/strong><\/p>\n\n\n\n \u2192 send by email to grzegorz.welizarowicz@ug<\/a>.<\/a>edu.pl<\/a> <\/p>\n\n\n\n For more information please visit: https:\/\/ibsc.ug.<\/a>edu<\/a>.pl\/<\/a><\/p>\n\n\n\n Border Seminar 2023 Organizing Committee:<\/p>\n\n\n\n The Border Studies Group\/Pracownia bada\u0144 nad granicami and International Border Studies Center: Dr. Ross Aldridge; Dr. Martin Blaszk; Dr. Anna Mazurkiewicz, Dr. Maciej Rataj, Dr. Krzysztof Ulanowski, Dr. Grzegorz Welizarowicz.<\/p>\n\n\n\n Sources:<\/p>\n\n\n\n Bloom, Harold. Anxiety of Influence. A Theory of Poetry. New York Oxford UP, 1973.<\/p>\n\n\n\n Brambilla Ch., 2015, Exploring Critical Potential of the Borderscapes Concept, \u201cGeopolitics\u201d, vol. 20, issue 1.<\/p>\n\n\n\n Fellner A.D. (ed.), 2020, Narratives of Border Crossings: Literary Approaches and Negotiations, Baden-Baden: Nomos.<\/p>\n\n\n\n Weier S., Fellner A., Frenk J., Kazmaier D., Michely E., Vatter Ch., Weiershausen R., Wille C., 2019, Bordertexturen als transdiszipinarer Ansatz zur Untersuchung von Grenzen. Ein Werkstattbericht. \u201cBerliner Debatte Initial\u201d, vol. 29, issue 1.<\/p>\n\n\n\n Schimanski J., Nyman J. (eds.), 2021, Border Images, Border Narratives: The Political Aesthetics of Boundaries and Crossings, Manchester: University of Manchester Press.<\/p>\n","protected":false},"excerpt":{"rendered":" May 23-25, 2023 Faculty of Languages, University of Gda\u0144sk The Border Studies Group (BSG) and<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[49],"tags":[],"class_list":["post-10187","post","type-post","status-publish","format-standard","hentry","category-papers"],"acf":[],"_links":{"self":[{"href":"https:\/\/arisc.org\/index.php?rest_route=\/wp\/v2\/posts\/10187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arisc.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arisc.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arisc.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arisc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10187"}],"version-history":[{"count":4,"href":"https:\/\/arisc.org\/index.php?rest_route=\/wp\/v2\/posts\/10187\/revisions"}],"predecessor-version":[{"id":10191,"href":"https:\/\/arisc.org\/index.php?rest_route=\/wp\/v2\/posts\/10187\/revisions\/10191"}],"wp:attachment":[{"href":"https:\/\/arisc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arisc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arisc.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}